During a recent Ubisoft preview event, Michael McIntyre, director of level design for Prince of Persia: The Forgotten Sands, talked to Joystiq about the new sequel to the old trilogy, establishing its connection to the Sands of Time game series and the Bruckheimer film. The Forgotten Sands is a side story, based in the Sands of Time universe, bridging the seven-year gap between the original Sands of Time game and its sequel, Warrior Within.
Clearly, Ubisoft has positioned the next game to piggyback on the Bruckheimer blockbuster and ideally generate renewed sales for the brand (which underperformed in its 2008 iteration). Forgotten Sands is also an opportunity for Ubisoft to finally justify the Prince's remarkable transformation from carefree hero to brooding, emo warrior.
Continue reading for our full interview with Michael McIntyre -- after the break -- in which he reveals new (and rewinding revisited) elements in the game and the return of a familiar voice.
Okay, you've probably heard by now that Mass Effect 2 has a lot of big-name voice talent. But have you SEEN them? This video trailer for BioWare's upcoming space opera features the all-star cast talking about their roles, and what it is about sci-fi (and not SyFy) that gets them so excited.
The Porsche Panamera has only been on sale in other parts of the world for three months now, but the automaker has already cranked out the 10,000th production example. The Panamera is built on the same production line as the Cayenne SUV at Porsche's Liepzig plant in northeastern Germany.
So far, Porsche has taken some 9,000 orders for the new five-door grand touring hatchback and it has yet to go on sale in the United States. Porsche is currently planning to build about 20,000 Panamera units annually at the Liepzig factory. The 10,000th car? A silver Turbo destined for Singapore.
US Consumer Habits Likely To Remain Conservative - Survey Wall Street Journal Americans plan to save 15% of their total income after the economy improves, according to a new poll by AlixPartners LLP, as consumers remain cautious about ...
In case you weren't aware, Synaptics dabbled in the touchscreen handset game way back in 2006 with the Onyx concept, before phones like the LG Prada and Apple's iPhone came along and proved the idea so convincingly. However, Synaptics thinks innovation has stagnated since, and has girded itself once again to attempt another trend-setting concept. This one's a bit more wild: the "Fuse" involves contributions from Alloy, TAT, Immersion and Texas Instruments, and includes squeeze, tilt and haptic interaction. The big idea is to approach single-handed and no-look operation on a touchscreen handset, no small feat to be sure. The result is a pure kitchen sink of sensors, including a touchpad on the back of the phone, touch and pressure sensitive strips along both sides of the phones, dual haptic feedback motors, a 3-axis accelerometer and of course a new-generation Synaptics touchscreen in front. The TI OMAP 3630 processor powers the TAT Cascades 3D UI Engine which attempts to contextualize UI interaction with perspective tilts and fancy motion, and the haptics feeds back to let you know where your finger is on the screen -- an attempt to emulate feeling out the correct nub for keypad orientation on a button phone. We'll have to play with it to find out if Synaptics is really on to something, but even if the Fuse isn't the next best thing, we could certainly see somebody using some of these sensors to improve existing handset interaction. Check out a quick video after the break.
Christie's tried in New York with a 1983 piece by Jean-Michel Basquiat and didn't succeed. The auction house may have been too aggressive in estimating the 16-foot piece at $9 million. That's what's tough about the art market right now. There are signs of recovery, and it can be tempting to push for higher prices. Unfortunately, it's easy to get a bit excited. The painting had the highest estimate at the auction. The piece with the second highest presale estimate, a piece by Andy Warhol, met a similar fate.
The Basquiat piece, "Brother Sausage," was offered anonymously by a buyer later revealed by Bloomberg News to be Peter Brant, an art collector based in Connecticut. The piece may be a casualty of his divorce from model Stephanie Seymour. Well, it won't be financing post-marital discord and could remain a contested asset for a while.
Warhol's "Tunafish Disaster" was projected to move for up to $8 million and, like the Basquiat painting, didn't receive any bids. Art dealer Robert Mnuchin of L&M Arts was stuck taking it home.
Yet, some works beat the odds in an auction that raked in $74.2 million, within the presale range of $61.5 million to $88 million. Nonetheless, this was the lowest result we've seen from a Christie's New York contemporary art effort since May 2003 and down 81 percent from the top of the market two and a half years ago.